The preeminent theme for the Fall-Winter 2024 collection of KIDILL is not simple destruction or denial, but the positive energy of those who live in the same era continuing to reboot the “punk”.
The collection, with its DIY-inspired embellishments, prints and jacquard weaves by Japanese artisans, is an exploration of the intersection of early punk classicism and modernity in design, silhouette, and the essence of detailing.
该系列以 DIY 为灵感，采用日本工匠制作的装饰、印花和提花编织，是早期经典朋克与现代设计、轮廓和细节之间的一次探索。
Sueyasu dares to praise punk through a series of excessive destructions, the revival of jeans with holes in them and faded tops.
The direct message of this season’s KIDILL collection lies in the basis of the half century history of punk with its unchanging identity and attitude, it is no longer for only a specific group of people.
Punk has long since departed from the insularity interpreted from its appearances/looks but has been inherited by many as a spirit of protest and rebellion of their own, driving the evolution of a modern, independent culture, and becoming a value system that respects individuality through freedom and expression.
Sueyasu’s return to the roots is a channel of its origins, proclaiming the rebirth and renewal for KIDILL. “As a matter of fact, my initial impulse and resistance remains the same. I am just simple.”
回归本源，Sueyasu宣告KIDILL的复兴和更新 : “实际上，我的初衷和抵抗精神始终如一。我很简单。”
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