ANREALAGE : SCREEN

For the ANREALAGE autumn/winter 2025-26 collection, Kunihiko Morinaga envisions a future where black garments serve as a SCREEN to display any color, pattern, message, or graphic. This innovative collection transforms clothing into dynamic platforms capable of broadcasting messages, reflecting and transforming a flow of visuals and information.

森永邦彦为 ANREALAGE 2025-26 秋冬系列构想了一个充满未来感的概念，将黑色服装设计成一种可展示任何颜色、图案、信息或图形的“屏幕”。这一创新系列将服装转变为动态平台，赋予其广播信息、反映和转换视觉与信息流的能力。

Morinaga paves the way for a new era of fashion, where personal expression and creativity can be conveyed through portable screens. This approach could change our perception of clothing, making them not only functional but also tools of visual expression.

These SCREEN garments instantly change according to the wearer’s mood, drawing inspiration from a galaxy of downloadable designs rendered in vibrant RGB digital colors that are impossible to reproduce in CMYK. Light patterns emerge and fade, giving birth to new continuous visual expressions. The garments—like life itself—are in constant evolution; there is no final form.

森永邦彦通过其创新的设计理念，为时尚的新时代铺平了道路。在这个时代，个人表达和创造力不再局限于传统的媒介，而是通过可穿戴的“屏幕”服装得以实现。这种突破性的方法不仅改变了我们对服装的认知，还将其从单纯的功能性物品提升为视觉表达的工具。

森永邦彦的设计将服装转变为一种动态的、可交互的媒介。通过将“屏幕”融入服装，穿着者可以实时表达自己的情绪、个性或创意。这种设计打破了传统时尚的静态局限，赋予服装前所未有的表现力。

Unveiled in the American Cathedral of Paris with a custom soundtrack created by Thomas Bangalter, former member of Daft Punk, the show is divided into two parts, following the story of a collection that traverses the SCREEN. The opening act hints at what’s to come: silhouettes reminiscent of Roblox’s cubic avatars showcase light patterns projected onto a SCREEN, replicated by hand in colorful weaves, patchworks, and quilts, as well as prints created with FOREARTH, a sustainable textile printer developed by KYOCERA.

在巴黎的美国教堂，ANREALAGE 2025-26 秋冬系列的揭幕展览成为了一场融合时尚、音乐与科技的盛宴。展览由前 Daft Punk 成员 Thomas Bangalter 创作的定制音轨伴奏，为观众带来了一场沉浸式的多感官体验。

表演分为两部分，讲述了一个关于穿越“屏幕”的系列故事。类似于 Roblox 立方体化身的轮廓出现在“屏幕”上，展示了动态的光线图案。这一概念呼应了森永邦彦将服装设计为“屏幕”的核心理念，探索了虚拟与现实之间的界限。这些图案通过手工编织、拼布和被子等传统工艺，以及由 KYOCERA 开发的可持续纺织打印机 FOREARTH 制作的印刷品得以重现。

Marking the intersection of the two domains, a stained glass patchwork look, meticulously crafted from 10,000 small pieces of colored fabric, is positioned alongside its black velvet counterpart, which illuminates with a vibrant stained glass pattern evoking the luminous rose windows of the cathedral, transitioning from static beauty to fluid beauty.

Knitted tops made from RGB LED threads shimmer like jewels made of light, while on a pair of models walking in unison, two identical black looks pulsate with borders and stripes that migrate from one look to another, transforming into tiles before separating again into original patterns.

标志着两个领域交集的彩色玻璃拼布外观，由 10,000 小块彩色布料精心制作，与其黑色天鹅绒对应物并置，后者发出鲜艳的彩色玻璃图案，唤起大教堂的璀璨玫瑰窗，从静态美到流动美的转变。由 RGB LED 线制成的针织上衣像光的珠宝一样闪烁，而在一对同步行走的模特身上，两套相同的黑色造型以边缘和条纹跳动，从一个造型迁移到另一个造型，最终变成瓷砖，然后再次分离成原始图案。

New patterns are produced every second, generating 60 variations of plaid designs in 30 seconds to create an optical frenzy, offering a fleeting glimpse of the infinite possibilities of design combinations. Like a kaleidoscope, the patterns bloom and scatter like flowers, emerging by the thousands, creating fascinating visual impressions that vanish in an instant; the garment from a second ago no longer exists.

每秒产生新图案，在 30秒内生成 60种方格设计的变化，创造出一种光学狂热，提供对设计组合无限可能性的短暂一瞥。这些图案如同花朵一般绽放和散落，成千上万地出现，创造出迷人的视觉印象。这些瞬间的美感在一瞬间消失，刚才的服装不再存在，仿佛被时间抹去。

More than just clothing, these imposing black graphic silhouettes serve as an interface for a new form of fashion—a SCREEN second skin, envisioning a future where individuals can exchange and share the designs of the garments they wear.

Like a living billboard, soft threads and textiles integrated with LED-LCD technology , developed in collaboration with MPLUSPLUS, can be folded, knitted, sewn, and draped into any shape. This collection represents a bold vision of the future of fashion, blending technology, artistry, and personal expression in a way that challenges traditional boundaries.